A Baker’s Dozen

Nothing to do with baking, in case you arrived here by web search looking for biscuits.

I don’t much like going to festivals because of the noise, the crowds, and the drunkeness, but it’s sometimes interesting to walk through the festival grounds early in the morning when everything is quiet. These photos are from the 2017 Dano Festival.

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Blankets. Nikon F6, 50mm, Kodak Portra 800

There is a whole section of the Dano Festival dedicated to blanket and pillow sellers. I don’t know if it is true or not, but someone told me that some of these vendors can sell enough blankets during the festival week to keep them in money for a whole year.

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Blankets and Mats. Nikon F6, 50mm, Kodak Portra 800

This vendor hadn’t showed up to open his/her stall that early in the morning. I think I passed through about 8:15 in the morning. No one is shopping at that hour anyway, so time enough for a lie-in.

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Blanket delivery. Nikon D810, 50mm

This was a different day and I had my digital camera with me. This large truck was parked so it was difficult to get past. I think I was on my bicycle as well, so it was more difficult to get around.

Early morning cyclist at Dano Festival. Nikon D810, 50mm

This photo probably looks okay on on a web site but seen at a bigger size you can see the cyclist was too fast for the shutter speed and the woman in the distance is very fuzzy because of the shallow depth of field. I had the camera set to ISO 64 for some reason. There was no reason to make such an amateur mistake when the D810 looks great at ISO 1600 and higher.

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Man walking past tents. Nikon F6, 50mm, Kodak Portra 800.

This man is also slightly blurred but I think it was because I had a slow-ish shutter speed. The tents appear to be in focus.  I’m shy about making photos of people so what I often do is choose a background that I like, prefocus, and wait for someone to walk into the composition. When the person is in a good position I press the shutter release button. This doesn’t always work, especially with younger people. Most people are fairly snap-happy so they are aware of other photographers and avoid walking in front of cameras so they don’t spoil the picture. Even though I want them to be in the frame. Other times, people will stop just outside the frame and wait for me to finish taking the photo. Foiled again . . . .

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Man walking through tents. Nikon F6, 50mm, Kodak Portra 800.

This guy is slightly out of focus, but it’s okay. I metered off the pavement so the bright tents wouldn’t cause the camera to underexpose. This guy stopped outside the frame but I told him to just pass on by. I made several photos at this spot but this was the most interesting person to pass by. In the wrong direction. There was a cart pusher that came my way but he turned off and went down another lane.

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Tent ropes. Nikon F6, 50mm, Kodak Portra 800

Tents require a fair amount of rope.

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Liquor Crates. Nikon F6, 50mm, Kodak Portra 800

The last tent photo, I promise. Like any festival, there is plenty of booze and some of the liquor companies are official sponsors.

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Paddle boats and circus tents. Nikon F6, 50mm, Kodak Portra 800.

Okay, it’s more tents, but they are far away. The city closes off one of the river’s small dams to keep water around the festival grounds. The blue and yellow tent across the river is for a circus. I’ve never been inside because it’s a bit expensive and I don’t really like circuses (circos?). Still, it’s a nice balance for the yellow pontoons of these paddle boats.

I highly recommend Kodak Portra 800 when it’s not too bright out. Or even when it’s bright out, if your camera has high shutter speeds. It gives good colour, good contrast, and the grain is pleasant.

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Deep fried crabs. Nikon F6, 50mm, Fomapan 400.

This is the first time I’ve seen deep-fried whole crabs at the festival. I didn’t try one, but I suspect the top shell is removed and batter poured in before frying. It doesn’t look like a thing that would be pleasant to eat, even if you like crab.

Fomapan is a cheap black and white film made in the Czech Republic. It’s only about half the price of Kodak and Ilford films. It can be very grainy and the negatives are a bit thin if you set your camera ISO to 400. I say ‘set your camera to 400’ because the cannisters don’t have the DX codes for automatic cameras. Saves on costs, I guess. I set the ISO to 320 on the last roll of film I used and the negatives look much better. I haven’t made large prints using this film so I don’t know how much grain would be in the print. I like this flm because it’s supposedly an old formula and gives photos an old-fashioned look.

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Bowing to a pig’s head. Nikon F6, 50mm, Fomapan 400.

Korean traditional rituals sometimes involve a pig’s head. Supplicants put envelopes of money or bills into the mouth and then bow while asking for a blessing. Some people who buy new cars will perform this ceremony in front of their cars on the side of the road.

Traditional house with aluminium roof and fence. Nikon D810, 50mm.

Nothing to do with Dano Festival, but this house is on my walk to work. I spot metered off the odd white wall in the foreground and added about a +1 stop to get a good exposure.

Chair and wall stain. Nikon D810, 50mm.

The last ‘biscuit’ in this baker’s dozen. Not art I imagine, but I noticed that the wall stain on my office wall matched up nicely with the chair. Digital photograph. You wouldn’t want to waste a piece of film on this.

 

 

Editing, Seongyojang, and Scraps

A couple of weeks ago I decided that I would rather edit photos by looking at prints rather than a computer screen. I got prints made straight from my digital camera card and prints, not scans, from my film. It didn’t work out like I wanted, though. For one thing, the order of the prints got messed up on the way to me and, as a result, I couldn’t be sure which print belonged to which frame when they were very similar. Also, the lab cropped quite a bit when printing, as I realised when I got the film scanned later. The Nikon F6 viewfinder is 100% and I compose very carefully so having cropped prints is not acceptable. Also, prints cost a fortune. So I decided to just get film scanned at a lowish quality (good enough for 4×6 prints and web viewing) for editing and get very good scans (50MB) of the best photos later. My digital prints didn’t get cropped but if I’m looking at film scans on the computer it’s just as well to look at digital photos on the computer as well. So, I’m spending more time on the computer but I’m saving quite a bit of money and seeing all of my film frames.

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I have recently made two trips to Seongyojang. Once with the F6 and once with the D810. For colour, the Provia 100F film I used has a distinctive look but the digital looks good as well. And printing on good paper makes them look even better. But for black and white I don’t think digital comes anywhere near film yet. The Fomapan 400 film I used looks really grainy (maybe it’s the low quality scans?) but it’s an oldish formula and I really like the look.  More experimentation is needed.

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Seongyojang Museum Building

I kept my distance and used a 180mm lens to cut out all of the distracting things around this museum building. I’ve never been in the museum, even though it’s included in the price of admission to the grounds. I go to Seongyojang to photographs the buildings and the landscaping. I’m not that interested in the history. I suppose I shoud go in once, just to see what I’m missing.

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Outer wall of Seongyojang

I think I like this photo. There’s nothing especially wrong with the composition but . . . but . . . something’s lacking. I’ll probably figure it out after I’ve paid a lot of money to get a good scan and print . . . . There are so many trees and things like paths and lamps near the wall that I again used a long lens (180mm? 85mm?) to cut out distractions.

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Outer wall in colour

Mmmm, film . . . .

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Wall disappearing into trees

I like the idea of this photo but the highlights in the top of the photo are too bright. I might try this again with digital the next time I go back.

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Flower pots and traditional Korean house

I like this one and I like the colours produced by the Provia film, even though they are not accurate colours. There’s probably soy bean paste or chili paste in the two pots to the left.

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Flower pots and traditional Korean house

I like this vertical view of the pots and house as well, but it lacks the breathing space of the horizontal view. This one feels crowded and less relaxing.

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Flower pots and traditional house – digital version

Let the film vs. digital flame war begin! Here is more or less the same photo from the D810. Interesting that some colours in both photos, the tall plant’s leaves, for example, are the same but others are quite different. The clay walls are really different. The digital colours are accurate.

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Two kinds of walls

The wall with the clay tiles on top surround a building, whereas the other wall is to keep a hill from sliding down into a path.

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Two kinds of walls – digital

Flame War II! The D810 version of the photo above. You may notice that there is more foliage in the film version of the scene. That’s because 35mm film has a ratio of 3:2 but I’ve set my digital camera for a ratio of 5:4, the same as large format cameras. I like printing on 10×8 paper and the photo and the paper match perfectly so there is no cropping. Also, I like the ‘stubbier’ frame for most things.

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Tree knot

This is a knot in an Asian pine tree. It’s interesting to look at the texture, but I’m not sure this one will make it to the large print stage.

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Old brothers

I’m not so good at landscape photography and this was the best I could do all morning. The left tree trunk shouldn’t be touching the left side of the frame, maybe. I used a wide angle lens, so it was hell to compose.

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Tree and flowers

I saw this on the way out. It looked better before I posted it here . . . .

I think I’ll go back to Seongyojang again before too long because I want another crack at the wall and maybe those two old trees. Someday I’ll make a photo of them good enough to cover a wall with.

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There are a few other photos from the rolls of film that I want to share but don’t have anything to do with Seongyojang.

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Puppy and traditional house

I pass this house and puppy(?) on the way to school every day. He’s very friendly and always appreciative of a head scratch.

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Door in birthplace of Heogyun

Low light and no tripod, but I managed to hold the camera steady enough to avoid blur.

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pots and wall at the birthplace of Heogyun

The composition is okay and the shallow depth of field (no tripod) and the film grain structure really give this an old-fashioned look. I made this photo to test how much detail I could keep in the bright spot in the background and the dark pots in the foreground. The film passed with flying colours.

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Dyke and garbage bags.

I think the bags were put there by city council workers who pick up garbage by the river and leave it in bags for pick-up later. I don’t know what that drak stain might have come from.

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Look this way,
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look that way,
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go for a nap.

Thanks for looking and reading!

New Project and a Street Photo

A few years ago I had an exhibition of traditional Korean scenes made by the Hipstamatic iPhone application. I was pleased with the results but I wanted to do another collection of traditional Korean scenes using a regular camera. I have many such photos from years past but for this project I want to make all new photographs. I think I can do better now or at least make photographs of the same quality.

Last week I went to the birth house of Heogyun and his sister (whose name is long and difficult for me to remember) and came away with twenty-seven photographs. Most of those didn’t make it past my selection process at home so today I present you with three photographs. Two made at the house and one on a street on the way home.

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Roof Shadow on Wall

 

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Cart

 

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Fence Fragment